Here Comes the Son
The first solo album from Dhani Harrison ’01 is “an introspective trip.”
The first solo album from Dhani Harrison ’01 is “an introspective trip.”
Among the 16 films in the U.S. Dramatic Competition held at the Sundance Film Festival in January, three were written and/or directed by alums.
Ultimate Frisbee veteran Hana Kawai ’12, who plays for the Seattle Riot, an elite team in her hometown, has built her post-college life around the sport.
Aaron Belkin ’88, the country’s leading authority on—and advocate for—LGBT U.S. armed forces personnel
Patrick Rynne ’05 is obsessed with water. What water means to each of us is at the core of Waterlust, which describes itself as a “purpose-driven brand” devoted to the research and protection of marine environments.
Pat Kelleher ’92, executive director of USA Hockey, says that kids are playing more hockey than ever.
Robin MacArthur's intimate connection to the land is a powerful influence in her lyrical first novel, Heart Spring Mountain.
Physician Ruben Amarasingham ’95 tackles the challenge of improving communication in health care.
Shadowman, the latest documentary from filmmaker Oren Jacoby ’77, chronicles a forgotten pioneer.
Luggage doesn’t need to be boring, thanks to a new company from Steph Korey ’09 and Jen Rubio.
David Yazbek ’82 tackles a new musical, The Band’s Visit.
Who first asked the question: What Would Jesus Do? Hint: he went to Brown.
Rip Pruisken ’10 thinks Rip van Wafels could be the next Oreo. Starbucks is willing to bet that he could be right.
Should health-care workers in hospitals stop shaking hands to prevent the spread of easily transmitted disease?
A journalist gets to know writer David Foster Wallace, 12 years before his suicide.
The cinematic grooves of Sasha Spielberg ’12